Kimi Kim Wittling

KIMI KIM WITTLING
킴미킴
Ceramics Artist
@kimistudio_ ceramic
BIOGRAPHY
Kimi Kim Wittling, an artist based in New York, has been working in various genres including textiles, woodcraft, print, lacquer, graphic design, and ceramics since 1994. After graduating in Ceramics Design from Central Saint Martin’s College of Art and Design in London, she has been focusing more on ceramics. Her works feature delicate forms inspired by nature, such as trees, leaves, and petals made from fragile materials like ceramic and “paper clay”. These forms represent the nature of love and care in Kimi’s personal life and how these relationships and beacons of joy are impossibly fragile, yet indescribably precious.
EDUCATION
• 2015, UrbanGlass Class for Imagery
• 2007, BA, University of the Arts of London Central Saint Martins, London
• 2006 London College of Art – Camberwell Foundation
CURRENT ACTIVITIES
• Member. Art Korea culture & Art Association
• Member. Aestheticism Korea
• Member. KNYAA, New York
AWARDS
• 2026 Art Korea Culture, Special Award
• 2026, Art Korea Culture, Seoul Mayor’s
• 2019, International Competition KOREA
CERAMIC Foundation Gyeonggi CERAMIC Biennale
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Kimi Kim has been working in various genres including textile, woodcraft, print, lacquer, graphic design and ceramics since 1994. After graduating in Ceramics Design from Central Saint Martin’s College of Art and Design in London, she has been focusing more on ceramics. Her works feature delicate forms inspired by nature, such as trees, leaves, and petals made from fragile materials, such as ceramic and “paper clay”. These forms represent the nature of love and care in Kim’s personal life and how these relationships and beacons of joy are impossibly fragile, yet indescribably precious.
People always live longing for what they can or can’t have dreaming of achieving something. In my first series, I wanted to talk about women’s desires and thirst through Chanel bags, but they expressed their desire to be jealous and disdain because they couldn’t have it in the closet, and they couldn’t have it in the form of a torn bag.
The second desire series LEGO is looking back at my childhood when I see the LEGO blocks my kids play with, and we always have a desire to achieve something, but we are a little bit concentric and built up some form of LEGO blocks as I want. Why don’t we all become artists.
김미김 (Kimi Kim)는 1994년부터 직물, 목공예, 판화, 옻칠, 그래픽 디자인, 도자 등 다양한 장르에서 활동해 왔습니다. 런던 센트럴 세인트 마틴 예술디자인대학에서 도자 디자인을 전공한 후, 도자 작업에 더욱 집중해오고 있습니다. 그녀의 작품은 나무, 잎, 꽃잎 등 자연에서 영감을 받은 섬세한 형태를 특징으로 하며, 도자기나 ‘페이퍼 클레이’처럼 깨지기 쉬운 재료로 제작됩니다. 이러한 형태들은 김미 작가의 개인적인 삶에서 사랑과 보살핌의 본질을 상징하며, 그 관계와 기쁨의 등불이 얼마나 깨지기 쉽지만 동시에 형언할 수 없이 소중한지를 표현합니다.
사람은 늘 자신이 가질 수 있는 것과 없는 것을 갈망하며, 무언가를 이루고자 꿈꾼다. 첫 번째 시리즈에서 나는 샤넬 가방을 통해 여성의 욕망과 갈증에 대해 이야기하고 싶었다. 그러나 그것은 옷장 속에 들이지 못하거나, 찢어진 가방의 형태로밖에 가질 수 없다는 이유로 시기와 경멸의 대상으로 표현되었다.
두 번째 ‘욕망’ 시리즈 LEGO는 아이들이 갖고 노는 레고 블록을 보며 나의 어린 시절을 돌아보는 작업이다. 우리는 늘 무언가를 성취하고자 하는 욕망을 품지만, 동시에 약간은 자기중심적이며, 내가 원하는 형태로 레고 블록을 쌓아 올린다. 그렇다면 우리 모두 예술가가 되어보는 건 어떨까.









